It also showed me ideas that simply wouldn't work in real-world applications because of the spacing of the room, position of the actors, and so on. 'It expanded my ideas about coverage in a way that traditional storyboarding never has. Johannes Roberts, Director, Gatlin Pictures You can add movement arrows and camera framing boxes-which designate zoom or pans within a shot-to your shot, then stretch, scale, flip, and tilt these arrows/boxes to create just the look you want.īecause your storyboards are created in a 3D virtual set, stored along with each shot is the camera's exact height, focal length and angle of view at the time the shot was snapped. Make any changes you want and snap it again to replace the old version. Decide you want to tighten up a close-up, or give someone more headroom? Just double-click that shot and you'll be taken back to that set, exactly as it was when you first snapped it-including all actors, props and camera positioning. The Shot Manager allows you to view, rearrange, delete and edit any of your stored shots. Simply position your mouse over any given shot's bar and a small pop-up of that shot will automatically appear, allowing you to 'walk-through' your planned coverage in any easy visual manner. Each bar to the left of text on the script represents one associated shot, and its duration.
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